last update : 25/06/05
June 2005 : New release on Earsheltering
:
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GORGô
: "Aucune complaisance" earS006
GORGô : projet d'improvisation
hardcore dynamisante et médusante
>
GORGô joue très fort, c'est efficace, maximal. c'est physique
et vibrant, mental et décérébrant. La musique de
GORGô absorbe vos souffrances, c’est un réel élixir
thérapeutique (réservé aux adultes).
>
GORGô libère son public de ses tensions malfaisantes grâce
aux triturations de sons bélligérants et à la batterie
hyper-fulGurante de Pete Furious.
La culture écarte les hommes c'est une certitude. Quand le grimaçe
défigure, je vois l'origine de ce rictus. Maintenant ce malaise
a un nom et un seul ; oui je t'ai reconnu. Tu es celle qui macule d'effroi
les visages mordicus. Tu es GORGô, la méduse.
Et pour te choper, il faut te faire apparaître... Certains vont
souffrir...
Tournes-toi, montres-moi ton cul que je puisse t'énucléer
la mortifère figure.
>
>Dynamique vipérine
>AUCUNE COMPLAISANCE
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Hello dear surfers, this is JM Charcot,
let me introduce you the 3patttes'
online section, it is called Earsheltering,
and there you will find sounds of artists
to download and also some artwork in the archive.
A kind of DIY cd, kust the way you like, you can also keep it on your hard drive.
Those are virtual 3", for a faster proliferation.
have a nice audio experience,
this is JM Charcot,
still yours.
JM Charcot / Planetaldol, earsheltering
April 2005 :
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GISCARD
LE SURVIVANT :
"Limites
de la démocratie?" CDr 3"
limited edition / 103
7 euros postage including
(visual by GORELLAUME)
JM Charcot / Giscard le
survivant interview
croisée
|
|
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December
2004:
THE CHOPSTICK SISTERS
:
"L'une bouge, l'autre
pas..." CDr 3"
5.
muc xào xà
limited edition /
107
7euros postage including
 |
Empty
newsletter (february 2005)
"Enfolded in a nice
sky-blue-with-digital-clouds-and-a-drawing-of-a-South-Eastern-Asian-woman-(and-flowers)
stays this 20 minutes beauty reminiscent of traditional Chinese
singing but heavily processed in the vein of what Josephine Truman
used to do back when she used to do it. Great!" |
|
*/Artists/friends news
:
LIQUID SPHERE :
anotherGIZYA
- 11 artists colonize liquid sphere's GIZYA
The project :
*colonize (v.): to take over & occupy; to make a place your own, to take
control of it; to impose ideologies onto occupied people*
* At the end of 2003 and the beginning
of 2004, ten artists were sent a copy of liquid sphere's 'GIZYA' and/or the
sounds and field recordings used in the creation of that album. During the following
months, each of these artists sent back one or more remixes or new tracks created
using the source material they had been provided with. The result is 'anotherGIZYA',
a collection of tracks demonstrating how original and dedicated to their craft
their creators are. *
The artists:
a.k.a_bondage - aidan baker - cdrik croll & friends - final cut - j.frede
- goose - gydja - cordell klier - liquid sphere - planetaldol - wilt
PLANETALDOL :
LIVE :
 |
june 9th : 19h00
"perspective antarctique"
Lancement de la programmation
2005 et du nouvel espace virtuel 3 D de Aire
Pôle Lardy / IUT
de Vichy
1 avenue des Célestins
03200 Vichy - France
|
FINAL CUT :
LIVE :
04/06 Brussels
|
 |
LIVE : FOtones
17.0 - 27.04.2005 : Final Cut, Celtric, Farmers Manual, Silk Saw, Vanno, Lowdjo,
D-John, Pix.
Where: Beursschouwburg, rue Ortsstraat
20-28 - 1000 Brussels - Belgium 22:00, Free entrance.
FROHNA RECORDS is back!!! :
Offline since the end of the last year,
Fronha Records begins it's activities in 2005 with four new releases:
- Fronha Coletiva - Eletronika Festival 2004 – Recording
of the show that took place on august 2004 in Minas Gerais, by the project that
gathers some artists involved with the label.
- Bedoze - Presente de Paola II - Second part of the 3"CDR
series recorded live at the late Agenciare studio in 2003.
- Junkers - I Was Thinking to Kill You - After appearing on
soundtrack of the play "O Aparelho Locomotor" and in the teen-movie
"Odiquê", the project created by MMeNDES, Cláudio Monjope
and Fernando STorres, finally release their first album on Fronha Records.
And in our new videos section, the performance by Monjope on
Rio Sesc Experimental, with the participation of Nil on vocals
and the contemporary dance group "o Nome".
Fronha Records
GORELLAUME & Co : incipit
electronica
5 rue Crespin du Gast, M°
Menilmontant, 75020 Paris
SPIN ZERO :
june 18th : 19h00 Mains d'oeuvre - Saint
Ouen
TZII, RIPIT, VIDIO.ATAK, ... :
13-28/05/05 Industrial / midi-eastern psychadelia
/ fucked up breaks / loud ambient / power trip-hop / audio-video alteration
/ cine-mayhem .....
with a nice splash of noise!!
with:
HOP-FROG / SIKHARA / RIPIT / TZII / ELEKTROKAMI / DEAD
DATA PONKS / LIFESTEAK / CINEMASSACRE / RKO/ VIDIO ATAK
Friday 13: Paris, France @ Radon Uropa / Samboat / Night
on Earth Festival infoline: 08 92 68 36 72 *1 code: 526848 #
Monday 16: Paris, France @ Kata Bar
Thursday 19: Brussels, Belgium....Location TBC
Friday 20: Berlin, Germany
Saturday 21: Praha, Ceska Republika @ squatt Milada
Monday 23: Vienna, Austria @ Rhiz
Tuesday 24: Ljubljana, Slovenija @ Channel Zero
Wednesday 25: Vittorio Veneto, Italy
Thursday 26: Zurich, Switzerland
Wednesday 27: Saint-Etienne, France...TBC
Saturday 28: Paris, France...TBC
more infos, mp3..etc...here:
|
VIDIO.ATAK
:
DVD
SYSTAIMATAK
 |
HIV+ :
26th/27th/28th August
2005 festival
INFEST / Bradford - UK with FIXMER/MAC
CARTHY, COVENANT, PUNCH INC, POWDER PUSSY, KIEV, CAMOUFLAGE...
|
JM CHARCOT:
JM Charcot / Giscard le survivant
interview croisée
JM Charcot / Rohypnoise Et
ensuite la viande
JM Charcot / Planetaldol, earsheltering
BeNe GeSSeRiT, JM Charcot, points
de vue croisés
FinalCut / Planetaldol, interview
croisée
JM Charcot / FinalCut, interview
croisée
“One
evening at the club”
*/Last Reviewes :
"Après sa participation à
la compilation "Anatomy of a maniac" et son fricotage avec Finalcut
sur "Risques partagés", il était inévitable que
l'on retrouve un jour ou l'autre Giscard le survivant sur le label 3Patttes
Records. C'est chose faite aujourd'hui avec ces "Limites de la démocratie
?", où l'immortel philosophe en musique sur les limites d'un système
qui lui a pourtant permis de tout réussir. Du poste à cassette
de la R10 bordeaux du Président sort une musique étrange mariant
des sonorités discordantes, crépitantes à des élans
de claviers ambiants sépulcraux ("Sursauts gamma dans la froideur
déchirée"). Rares sont les mélodies sur cet EP, même
si "Eugène Botrel filant par-delà les étoiles sur
son tracteur SOM.25 D orange", avec ses notes de clavier posées
dans un ordre presque harmonieux, peut faire figure de véritable hit
au milieu des expérimentations bruitistes que nous propose cet OVNI présidentiel.
Difficile à appréhender, "Limites de la démocratie
?" est à ranger entre l'enregistrement de votre perceuse électrique
(en mode percussion) et ceux, plus sérieux, des papes de la musique concrète."
Ptit Boy
"An abundance of good ideas can
be a mixed blessing. The Chopstick Sisters have bolstered their otherwise straightforward
improvisational experimentalism with the kind of intricacy that will surely
surprise you. This is exuberant, viciously lovely stuff that ripples with creativity
and skilled teamwork. A refreshing take on a genre that has its fair share of
generic journeymen."
Merje Lõhmus (a.k.a. Mad Sister)
JADE
web (june 2005)
"Ca pourrait ressembler à
un petit délire vocal entre amis, pourtant, ce trio, emmené par
les voix envoûtantes d'Anna et Nadine (mise en musique par Alain Neffe)
laisse une trace pregnante dans nos esprits. Anna Homler est tout sauf une débutante,
elle a usé ses cordes en solo aux côtés de grands noms de
l'expérimentation contemporaine…Steve Beresford, Steve Moshier,
David Moss, Richard Sanderson, Peter Kowald, Voices of Kwahn, Pavel Fajt, Tom
Cora, Temps Perdu… Ces 2 acolytes n'ont pas à rougir, Alain Neffe
mène le label Insane et a participé à de multiples aventures,
Human Dance, I scream, , Sic, Vortex, Kosmose ou avec Bene Gesserit, Ornament
ou Crime Arkehstra pour Nadine Bal. Construite à partir d'une guitare
préparée et de loops sibyllins, les voix oniriques de ces deux
chanteuses, impose à la mélodie d'étranges atmosphères.
On pense d'emblée aux duos célèbres de Catherine Jauniaux
et Ikue Morie sur ReR, les intonations, l'esprit libre qui s'en dégage,…pourtant
comme avec Maja Ratjke sur rune Grammophon, elles prolongent toujours plus loin
l'expérience, agrémentant leurs timbres suppliciés, sibyllins,
" inuites " de sources annexes, de gisements de sons externes. Déroutant
et intense. Pour les amateurs d'ocora et d'Alga Marghen. "
Julien Jaffré
" It's not a complacent, easy on
the ear piece as it's too full of foreboding and tension for that but it does
allow the listener space to wind down. A very interesting release in it's darkly
catchy way..."
Merje Lõhmus (a.k.a. Mad Sister)
Industrial.org
(june 2004)
"don't get any on me
After looking nervously at their test
results France based label 3patttes finds they have a new release from HIV+.
This latest disc is entitled "interferencias" and offers up 3 tracks
(they should have worn long sleeves) of original material plus a remix compliments
of Planetaldol. Adding to the cheery fun times, the disc is packaged in a Petri
dish with the origin of said dish in question (let's hope they are not out of
the local clinic's refuse). They are selling these suckers off for 7€ postage
paid world wide and for more details hassle"
"The 4th release by the French label
of artists Planetaldol & Finalcut, 3 Pattes Productions, is a sizable offering
from over 20 artists and several countries. Each of the artists involved were
asked to work around a common theme, an 80's horror film entitled "Maniac,"
and to emulate its sound. Each artist thus composed a piece after having viewed
this film, and in some cases, even created what might be close to cover songs
from the original film versions. Even without prior knowledge of the method
to this madness, my first impression was exactly that! I felt from the open
Cortex cut that these sounds would be perfect along with a horror film, so right
away, you see that they were successful. The two discs in the set are quite
different. Disc one, entitled XANIX, contains the more accessible industrial
pieces and soundtrack experiments. It's surprisingly cohesive, considering that
there were 14 different artists on it. The disc is peppered with clearly horror-esque
sounds like the hell's bells tolling in the opening Cortex track, the howling
noises buried in dark ambient drones from -Cutman-, and toy organs in front
of forboding tones from Iloj Tone. Though the general mood and theme of the
disc is carried throughout all of its 16 tracks, several pieces stood out to
me, as moments of variance and exceptionality. The first six tracks are all
relatively short pieces before Ripit come in with "Fancy Girls in Fancy
Dresses" (which also plays along w/a video track on the 2nd disc, seemingly
from the film 'Maniac') the longest song on the disc. The track is filled with
industrial beats, heavily distorted bass lines, and ends with what sounds like
an electro-battle between two auditory armies, or two horrific foes fighting
to the aural death. Track 13 from BeNe GeSSeRiT comes in with whispery backwards
breaths and backmasked synths sounding like an Asian lullaby from another dimension,
perhaps within the nightmares of a victim, and is a short sweet 2 minutes. Track
14 from Spin0 sounds like a plane flying in and landing by you, no doubt unloading
something fearsome. Cortex close out the disc much like they opened it, and
I was left wanting more.
Disc two, entitled MINAX, is filled with
the label's more experimental line-ups, & I felt adhered more closely to
the themes I would associate with the word 'maniac' if not the film. It features
a more sundry range of strange sounds, and often times the various pieces move
through a number of moods and modes just in the few short minutes each project
was allotted. TrombOne start it off with clanging ticking sounds, echoes bouncing
from ear to ear, strangely mutated string instrumentation, drones, loops, and
rumbling bass. Eventually we hear a voice say, "you're so scared that they'll
take you away, but they won't if you do what I say." Suddenly the sounds
are flipping backwards slurping past your ears. NOW we are IN the maniacal mind,
not just running from it or witnessing it. We are hearing its inner voices.
Then Dell.tree issue foth the sounds of children playing, electronically altered
mouth sounds, and electrified water. We hear Giscard Le Survivant's foreboding
tones that fade out fast & leave me wanting more, and a laboratory song
with organs & wheezing from Finaldoll.
The shining centerpieces to me were the
next three segments. Atrabilis Sunrise's static sounds creep up slowly on beds
of groaning reversing loops. Disembodied & strangely mouthed voices follow
them out like mocking laughter from deep within a void. Suddenly they submerge
you in heavily distorted percussion. Soon you're surprised again as the voices
return to join the beats in synchronized humming, one voice in either ear. Then,
what sounds like reel to reel tape itching as the whole piece glitches along
to its end, unlike anything, incomparable originality. The 2nd part of this
centerpiece was Pi Cab Alter. From an opening moment of minimal ambience, slow
melodies, & a crying voice, the song moves into danceable beats, very muffled
bass lines, and intermittently the sounds of things being slid slammed &
jerked around. Like musique concrete these sounds are expertly looped to fit
the rhythms. Thankfully, this is one of the longest pieces on the disc. Next
we hear Moon, who seem to be aptly named. The sound is very martian-like, theremin
noises, gargled laser retro sci-fi themes.
TZII then come at you like something
rolling by on train tracks, or the monotonous clamor of a machine in a factory,
deeply panning echoes, long silences, and the dramatic scraping of ribbed metal.
Zerogoki drips out of the speakers with intense thematic insanity as well. Ever
increasing crescendo & layer upon layer of noises adding up over quiet whispering
voices, pitches raising very high then disappearing, very high & disappearing
again and again, then quickly dropping out, leaving water, crickets, and once
again the inner voices of an insane mind. Another strangely pleasant surprise
was from Bleetch. You hear clocks ticking in time & manipulated into new
trilling rhythms, distorted vacuum sounds, then breathing. The disc is wrapped
up by We are Gentleman, who simultaneously provide crescendo finales & repeatedly
rising aural tensions, the grumbling rumbles of a fuzzy storm, then static wet
like rain in puddles, & it echoes out, much like it echoed in at the beginning
of the disc. All in all, a very engaging listen. We can surely expect mountains
of original sounds from the folks at 3Pattes. For now, these discs give us plenty
of time to drown in our own imagined film, ponder insanity, and realize yet
again that we will never cease to find surprises issuing forth. "
Malahki Thorn
FinalCut : Denorme :
GIAG
(january 2005)
«Again,
we dive into the deep, mysterious world of industrial experiments. This album
is six tracks full of improvisations. It sounds more electronic due to the use
synth-sounds containing some effects. You'll find no rhythm but only long repetitive
and cosmic sounds which will bring you after some time to a deserved rest...
Chill out!»
Merje Lõhmus
Planetaldol - grand bois / Final Cut
- denorme Versus
Ambiances claustrophobes et vaporeuses pour Planetaldol, détournements
de prises de sons pour Final Cut.... Le tout nouveau label 3 patttes records,
dirigé par Flavien (de Final Cut) et Anthony (de Planetaldol!) nous livre
ses deuxième et troisème références, deux cd 3 pouces
d’une qualité impressionnante. Planetaldol, tout d’abord,
nous convie à l’exploration de son Grand Bois, à l’orée
duquel on est d’abord attiré par une nappe vaporeuse avant de se
trouver prisonnier d’une forêt épaisse et obscure toute en
craquements, crépitements et voix humaines et animales étouffées.
Anthony Colas, dont j’avais déjà apprécié
la démo «hierba loca», fait preuve encore une fois de capacités
de suggestion et d’expression extraordinaires, dignes par moments des
travaux de Lionel Marchetti. L’écoute de Grand Bois se fait d’une
traite, le souffle court, les sens aux aguets, presque pénétrés
du froid glacial qui souffle sur cet espace imaginaire. Final Cut renoue avec
l’exploitation hors cadre des sources concrètes (voix, conversations,
bruits d’eau, insectes) qui étaient sa marque de fabrique aux tous
débuts, à l’époque de la compilation «ambient
aéro jam & loop bbq». Après un passage par l’exploration
des aridités et accidents des phénomènes sonores digitaux,
flavien reprend le chemin des mises en sons cinématographiques, armé
de compétences nouvelles en matière de traitements. Plus finements
traitées, les sources s’entremèlent et construisent de petites
saynetes cinématographiques dans lesquelles l’image d’un
instant est brouillé par un parasitage sonore pour revenir en filigrane,
toujous un peu différente, toujours changée...
A noter également la double compilation «anatomy of a maniac»
du même label, à l’artwork magnifique... Le peu que j’ai
pu écouter était vraiment très très bon.
Plus d’infos bientôt...
J. L.
Planetaldol : Grand Bois :
GIAG
(january 2005)
«These
six compositions give us a wide repertoire growing into more complex soundscapes,
a bit wider, a bit more experimental and extremely chilling - a lullaby for
the new millennium. Dark and deep carpet of sounds.»
Merje Lõhmus
Phosphor
magazine (april 2004)
"Tracks
features some field recordings and manipulated recordings of voices, very nice
stuff indeed.
Planetaldol seems to be responsible for
the drones of the previous CD of 3patttes records (finaldoll "prolifere").
A grim message is delivered to us in five tracks. A slow fall inward. There
are some sounds that I vaguely recognize as I tumble down - this is night listening
material indeed. Some of the sounds used were not that appealing to me, i.e.
barking dogs and some moaning of someone on the run for something, but I guess
it fits the general atmosphere of the tracks, so it's not a bad thing at all,
I would say. This reminded me more of Raison D'être. The CD ends with
more processed voices and people talking, but very disturbing-sounding.
Say 3pattes team, could we hear some more please?"
(mvk)
Finaldoll "Prolifere"
Staticsignals
(february 2005)
«Finaldoll
shapes slow-moving ambient structures with singular purpose in the quiet and
patient release Prolifere. Like huge landscape paintings of abstract grey rivers
wrapped in sheets of cloudy gauze the dark ambient sounds of this work numb
and soothe, but with each short piece conveying a definitive gesture that gives
shape, form, function.
A collaborative project between Finalcut
and Planetaldol, the two have come together to perfectly complement each other.
Each of the pieces of Prolifere is able to shift time, focus on a single moment
and extend and savor it, as the floating atmospheric electronics and slowed
natural sounds slowly build into a structure, revealing nuanced secrets, and
then fade, or desconstruct, or spawn a new derivative of their original form.
"isolement" features a deep,
reverberant, shifting harmony that is dabbed gently with panning static brush
strokes. Spacey filtered synth washes crescendo up from the texture and give
birth to scraping, scratching entities that are absorbed back into the soundscape
as quickly as they appeared.
"frippe" centers itself around
a glitchy hi-hat-like rhythm, with slowed backwards sounds and gritty fuzz crawling
in and out of the stereo field. The hi-hat propels the piece forward, carrying
the other slower moving elements as if they were transcendental passengers on
an imaginary train.
"mInuteMAid" presents a beautiful,
chordal harmony which is alive with pulsing movement, with ambient scraping
sounds gently caressing this texture. While quite minimal in overall design,
the effect is hypnotic, involving, with a natural, human feel.
"signal bruit" gives us droning,
floating synthetics whose ringing tones build into distant, fluttering echoes
of hum, glitchy staticks, and pulsing resonance. Again, the gesture is simple
and drawn out, but involving and effective.
By keeping each of the pieces just the
right length (4-5 minutes), the potency of each is maximized, and instead of
wondering when each will be over, they leave you wanting to hear each again.»
Merje Lõhmus
*/Releases :
3patttes007 : (april 2005)
limited to 103 copies : Giscard le survivant "Limites
de la démocratie?" CDr
3"
aaaaaaaaa 7 € (postage-including)
3patttes006 : (december 2004)
limited to 107 copies : The chopstick sisters "L'une
bouge, l'autre pas" CDr
3"
aaaaa 7 € (postage-including)
3patttes005 : (june 2004)
limited to 101 copies : HIV+ "interferencias" CDr
3",
special packagingaaaaaaaaaaaaaaaaa a 7
€ (postage-including)
3patttes004 : (may 2004)
unlimited : "Anatomy of a maniac" V/A compilation
2*CDr aaaaaaaaaaaaaaaaaaaaaaaaaaaaa7
€ (postage-including)
3patttes003 : (january 2003)
limited to 67 copies : Final
Cut :::Denorme::: CDr 3'' aaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
a 5 € (postage-including)
3patttes002 : (november 2003)
limited to 63 copies : PLANETALDOL "Grand
Bois" CDr 3'' aaaaaaaaaaaaaaaaaaaaa
5 € (postage-including)
3patttes001: (october 2003)
limited to 59 copies : FINALDOLL "prolifere"
CDr 3'' aaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
5 € (postage-including)
*/3patttes is distributed by
:
*/Contact :
3patttes@free.fr
3patttes releases 001, 002
& 003 are available for 5 euros postage-including.
3patttes releases 004, 005,
006 & 007 are available for 7 euros postage-including.
C@sh or p@y_p@l payment are
welcome.
Les productions 3patttes
001, 002 & 003 sont disponible au prix de 5 euros port compris.
Les productions 3patttes
004, 005, 006 & 007 sont disponible pour 7 euros port compris.
Payement par chèque,
espèce, p@_yp@l.
*/Artists :
Giscard
Le Survivant / Atrabilis
Sunrise / BeNe
GeSSeRiT / Liquid
Sphere / Pi Cab Alter
/ Planetaldol
/ Zerogoki / Finaldoll
/ Finalcut / Straiph
/ -cutman- / Astron
/ TZII
/ RipiT / Moon
/ Spin0 / Cortex
/ Bleetch / HIV+
/ Iloj Tone / Tromb0ne
/ Vidio.Atak / Human
Flesh / Circonferen6.x
/ Gorellaume / ETAT
DES STOCKS / (delltree)
/ KAlex / JM
Charcot / Andrea
Nurcis / We Are
Gentlemen / Kyong
Hwa Yi / Rohypnoise
/ Kangmey /
The Chopstick sisters
/ Der Brotmann / Epidemia
Un petit chat à
3 pattes est venu s'installer dans la cuisine derrière les éléments
de la cuisine incorporée...
Il est sauvage et miaule
doucement, impossible de l'approcher.
Il vient depuis qu'il
fait chaud, et va manger dans la gamelle de la chatte.
Celle-ci, lorsqu'elle
le voit, n'est pas contente du tout...
Je l'ai vu courir devant sur la terrasse avec ses 3 pattes lorsque je lis, il
faut dire, qu'il va très vite...
Cela doit être une malformation, enfin,...
une bestiole de plus
...
égarée
et on ne sait pas à trop qui il peut être...
Ce qui nous rassure, et
ce qui nous a fait tenir.
3patttes est né de la volonté commune de fournir
un label "officiel" pour sortir ce qui jusqu'à présent
avait été des autoproductions. Une mise en commun des forces,
en quelques sortes.
Aujourd'hui, demain.
3patttes is a dual head label,
created with the intention to produce and distribute young artists who didn't
find an "official" label yet.
Tout sera comme vu de l'intérieur,
une plongée dans les entrailles, premièrement, ne pas gaspiller
le temps.
Produire, avancer.
Le support retenu est le CD trois pouces (qui a donné indirectement le
nom au label). Pour sa forme, sa durée que nous avons estimé idéale,
offrant aux artistes la possibilité de ne pas abuser sur la longueur.
Chaque exemplaire sera numéroté, il ne faut pas y voir là
un prétexte à la rareté, l'ambition n'est pas à
la prétention, et surtout pas à la rareté fière.
The support will be on 3"
CD's, we believe in this format, for its perfect length, and also the fact that
it can be easily recognized. But there is no proudness in this attitude, we
are not precious.
Un vieux projet.
Le premier disque aurait
pu être une compilation, de nombreux labels commencent ainsi, nous avons
préféré une collaboration, elle résume l'idée
de ce que nous attendons des artistes que nous produisons, la rencontre, pas
la confrontation. L'idée d'une compilation est déjà à
l'oeuvre, celle-ci aura comme point de départ une bande originale de
film, libre aux participants de l'utiliser ou de s'en imprégner.
The first CD is a collaboration,
these are tracks we enjoyed a lot, other artists are planned, and also a compilation,
based (freely based) on a movie soundtrack, feel free to ask details.
Formas ../03/10
3patttes@free.fr
.
